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King Crimson - Biography

Founded by guitarist Robert Fripp, during its first five years of existence KING CRIMSON stretched both the language and structure of rock into realms of jazz and classical music, all the while avoiding pop and psychedelic sensibilities; the absence of mainstream compromises ultimately doomed the group to nothing more than a large cult following, but made their albums among the most enduring and respectable of the progressive rock era. King Crimson originally grew out of the remnants of an unsuccessful trio called GILES, GILES & FRIPP. The trio recorded their album, The Cheerful Insanity of Giles, Giles & Fripp, during the summer of 1968. Even as the album was in the works, however, the group's line-up was changing: Ian McDonald and Peter Sinfield joined late in 1968. This line-up recorded demos of "I Talk to the Wind" and "Under the Sky": Peter Giles exited the scene in November of 1968, and Fripp's childhood friend, vocalist/bassist Greg Lake, joined two days later.

Black Sabbath - The Original Line Up
The new roster of Fripp, Lake, McDonald, and Michael Giles - with Sinfield writing their lyrics - officially became King Crimson on January 13, 1969, deriving the name from Sinfield's lyrics for the song "Court of the Crimson King". In July of 1969, the group debuted in front of 650,000 people at a free concert in London's Hyde Park on a bill with the Rolling Stones; later that month King Crimson Released their first album In The Court Of The Crimson King was one of the most challenging albums of the entire fledgling progressive rock movement, but somehow it caught the public's collective ear at the right moment and hit n° 5 in England. At the peak of the LP's success the band broke up: McDonald and Giles decided to leave. Greg Lake soon decided to leave Crimson as well, but agreed to stay long enough to record vocals for the next album. Finally, a new album (In the Wake of Poseidon) were recorded early in 1970: essentially a Fripp-dominated retake of In the Court of the Crimson King, Lake sang on all but one of the songs, Fripp played mellotron and guitars, and a new singer, Gordon Haskell, debuted on "Cadence and Cascade". Fripp spent the month of August rehearsing a new King Crimson line-up, consisting of himself, Haskell (bass, vocals), saxman/flautist Mel Collins, and Andy McCullough (drums). This group, augmented by pianist Keith Tippett, guest vocalist Jon Anderson of Yes, and oboist/English horn virtuoso Marc Charig, recorded the next Crimson album, Lizard, in the fall of 1970, but Haskell and McCullough both walked out soon after it was finished.

In December of 1970, Ian Wallace joined on drums, and after auditioning several aspiring singers Fripp chose Boz Burrell as the group's new vocalist. The latest Crimson line-up emerged on stage in April of 1971. Sinfield split in December. Their new album is Islands. The band broke up in April of 1972. But in July of 1972 Fripp put together a new band consisting of drummer Bill Bruford, John Wetton on bass and vocals, David Cross on violin and mellotron, and Jamie Muir on percussion. This group recorded their debut album, Larks' Tongues in Aspic. Muir was out of the line-up in 1973. In January of 1974, King Crimson cut a new album, Starless and Bible Black. In July of 1974 exited. With King Crimson reduced to a trio, one more album, Red, was completed that summer with help from Cross, Mel Collins and Ian McDonald. Fripp disbanded the group on September 25, 1974. In June of 1975 a live album called USA was issued, followed four years later by Fripp's first solo album, Exposure. Finally, in April of 1981, Fripp formed a new group with Bruford, bassist Tony Levin, and guitarist/singer Adrian Belew. By the time their album was released in October of that year: the album was titled Discipline. This band toured and recorded regularly over the years. They splintered after two more albums, 1982's Beat and 1984's Three of a Perfect Pair. King Crimson remained silent for about a decade. Finally, in 1994, Fripp reunited with the Discipline-era lineup, augmenting the group with drummer/percussionist Pat Mastelotto and bassist/guitarist/Chapman Stick player Trey Gunn.

The EP VROOOM appeared late that year, setting the stage for a full-fledged comeback with 1995's Thrak. The album earned generally good reviews and re-established Crimson as a viable touring concern, although it took until 2000 for the band to come up with a new studio album (ConstruKction of Light) amidst a continuing stream of archive-clearing collections. In the five years between Thrak and ConstruKction of Light, the members of Crimson often fragmented the band into experimental subgroups dubbed ProjeKcts. The idea was to mix things up a bit and generate fresh musical ideas prior to the forthcoming album; in the meantime, drummer Bill Bruford and bassist Tony Levin left the band. Culled from the supporting European tour, the live box Heavy ConstruKction was released later in 2000.